Wax trax industrial accident12/29/2023 ![]() Musicians on the label reveled in themes of artifice and detritus. It brought him the bandmates that defined Ministry’s greatest successes, introduced the world to Revolting Cocks, and turned the lead of chance encounters and snap decisions into aggressive musical gold. ![]() The Sire label that picked him up after With Sympathy may have been his primary employer, but Wax Trax! remained his freelance playground. Of note, Industrial Accident independently confirms the legend that Ministry’s Al Jourgensen has built for himself over multiple decades. The duo made many judicious, fortunate choices of signings and tour lineups, but a significant portion of their label joined up through happenstance and friends’ recommendations. Somehow, whether it was one artist playing vacuum cleaners or another doing the best they could with a Fairlight they couldn’t figure out, more often than not the Wax Trax! roster got the balance right.Īfter Nash and Flesher relocated their operations to Chicago, their discography grew to include eventual royalty of rhythmic music and the avant garde: Coil, Laibach, Controlled Bleeding, Clock DVA. Rather, they tried what they could and released what they liked, regardless of how it sounded or if it was even musical at all. Interviews with members of the label’s foundational acts like Front 242 and KMFDM reveal this universe of people entered creative lives without intending to promote anything labeled as “industrial music” per se. Industrial Accident drives home the point that Nash and Flesher, the performers they booked, recorded, and admired, and their friends and employees stretching back to the first Wax Trax! store in Colorado were largely uninterested in conforming to norms of musical skill and appreciation. The word “misfits” gets tossed around a lot in this movie, especially early. Including rare photos and footage ranging from the shop racks to the concert stage, it explores a shared love of partners and players that went purposefully, brilliantly awry, and then awkwardly so. The movie has arrived on DVD to spread what is ultimately a sad tale of abject happiness. ![]() Yet if there was one specific place and time that fixed the genre to ears and minds everywhere, it was a dozen years-a musical blink of an eye-where Chicago’s Wax Trax! Records indulged the mad creative spirit of friends, followers, and sympathetic artists.įunded by a Kickstarter campaign, in limited theatrical and festival release the 2018 film Industrial Accident: The Story of Wax Trax! Records documented Jim Nash and Dannie Flesher’s journey across life and the country, transforming them from fiercely independent fans of glam and punk to record store owners and then to label operators and distributors. Industrial music has a rather long and bloody history, stretching from experimental noise and musique concrète to today’s electronic body music. Hank Williams became a songwriting legend in just 16 years, and the “27 club” is as tragic as it is talented. Disco lasted maybe five years, as did OG drum’n’bass. Biggie Smalls cobbled together two proper albums, even in death The Sex Pistols barely held together for one. The Beatles as a unit put out albums for only eight years. If you look at the history of music’s big movements and biggest performers, some of the most influential have surprisingly short periods of public activity.
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